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      清泉綠茶,同二三人共飲
      得半日之閑,可抵十年塵夢

      "A half day of sitting around sipping on green tea with two or three companions is worth ten years of dream-filled splendor."

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      YI+MU風合睦晨和羅蘭湖業主共度了2021到2023紛亂的疫情周期,湖邊·羅蘭湖茶空間改造施工幾經擱置終于落成,開業之初即位列社交媒體茶室排行首位。

      YI+MU's renovations of the Blue Lake-Lakeside Teahouse spanned the tumultuous pandemic from 2021 to 2023 and is now finally unveiled to the public as one of the best teahouses ranked on social media.

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      經過很長一段關于茶空間的調研,風合睦晨在新舊茶事之間做出了構建:將一種簡樸自由的精神和靈性注入舊建筑,使它重新與環境、時間連通。

      避開繁瑣和過分精致,保持文雅自然,讓人們輕松地喝茶,并親切一如其名——“湖邊”。

      After thorough research, YI+MU came up with a way to marry both old and new when it came to teahouse renovation: injecting simplicity and liberality into the old structure to reconnect it with space and time.
      A cordial nod to its name, the new "Lakeside" space is elegant and natural, without too much complication and grandeur, allowing people to have tea in a relaxing environment.

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      Decade-old architecture: from decline to rebirth

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      原建筑空間

      建筑交到風合睦晨手中時,它與作為茶空間的功能訴求是有些割裂的——地勢陷落、銅管包覆、體塊晦暗、內部低矮。麗都花園綠地中,舊建筑如同一塊慢慢風化的石頭,沉入寂靜。

      2013年,意大利設計師 Luca Nichetto為Tales態思故事廳完成這棟建筑作為其家具展示空間。十年后,由明入暗的氛圍線索不再適宜沿用,而其鮮明凌厲的外來風范也需要某種恰當地介入,以完成其身份和象征性的轉換,再續新生。

      When the building was handed over to YI+MU, it was somewhat in lack of the appeal of a teahouse—the ground was sunken, with copper tubes spamming all over and the space was dark, gloomy and cramped. The old building was like a weathered stone in the green space of Lidu Garden, fading into silence.
      In 2013, Italian Luca Nichetto designed this building as a furniture display space for Tales. A decade passed, and the atmosphere from light to dark was no longer suitable, its clashing and clearly foreign-origin style also needing some proper intervention for its overhaul in identity, symbolism and rebirth.


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      Architecture and environment: hidden in the greenery

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      入麗都花園北門,沿260米步道向西向南,繞行一片綠地,一塊綠湖在視線里隱現;繞湖而行,經由幾處涼亭至一條一人余寬的小徑;再向深處,被盛夏植物簇擁著,待草木退至身后,眼前豁然——“溪流”對岸,茶室浮出。

      The teahouse can only be found after entering Lidu Garden's north gate, following the 260-meter walkway toward the west and then to the south, bypassing some verdant land and a silently watching green lake as the path continues around the shore past several gazebos to an area that is only wide enough for a single human to traverse. There the structure stands, surrounded by summer plants that open up like the parting of emerald seas.

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      設計師在原建筑北側開門,將原本的南門留作服務出入口,將“進入的儀式”納入來喝茶的一部分。人人經由探尋方能步入,心境和情緒跟隨蜿蜒路徑完成由“隱”到“顯”的歷程,和空間相遇時,來訪者與建筑都已準備好。

      A new door is opened on the northern side of the original building, with the original southern door used as a service entrance, making the "entry ceremony" part of the visitor experience. It takes people a considerable while to enter the teahouse, which allows time for their emotions and feelings to find an outlet along the winding path. When the space finally presents, both visitor and building are ready for what is to ensue.

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      由于原建筑與室外環境直接相連,又因地勢陷落而困頓突兀,設計以建筑為核心,將周圍景觀向外推離4米,并向下挖掘與建筑齊平,形成一條在外部環繞的過渡帶,將公共區域與主建筑柔軟相隔。建筑則向外延伸出2米地臺,對應立面條形窗圍合木格柵連廊,茶座散落。

      Since the original structure was directly connected to the outdoor scenery, the sunken ground may infuse a feeling of distress. The new design focused on the building itself and pushed the surrounding landscape downward to become level with the building as well as outward by four meters, thus creating a soft separation between the public area and the main structure. A two-meter platform now extends from the building in the form of a seat-strewn corridor with French windows and a wooden grating.

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      三踏步石階將人由對岸引來,地臺如駁岸稍稍探入枯山水過渡帶——碎石為水、石組為舟,在環形的虛空間做枯山水意象,茶室如水中浮島,與園中一池湖水互望致意,共構一幅人文自然圖景。

      The three-step stone stoop attracts potential entrants. The platform is akin to a transition zone into a ringed Japanese rock garden, with the gravel as water and the stone grouping as a boat. The teahouse is like a floating island that interacts with the lake in the garden, offering a most humanistic and natural scene.


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      Light and shadow: bidding darkness adieu

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      建筑也是給精神一個存在的機會,在湖邊茶室,精神與天地自然息息相關。

      Architecture is also a carrier of spirit, and that of the lakeside teahouse is closely related to nature.

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      為迎“山光滿幾”,設計師將建筑體中央屋面打開,鑿空昔日的昏暗盒子,插入垂直核心筒,容納扶梯。

      To introduce ample natural light, the designer opened the central roof of the building to remove the darkness and inserted a vertical core tube to accommodate  stairs.

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      原空間扶梯所在位置則改為上下層兩組包間,二層包間屋面由封閉調整為開放,設玻璃屋頂覆竹席遮陰——晴時天光瀉下,細影浮動;雨時水霧迷蹤,一室琉璃。

      同時,環繞建筑立面打開5扇縱向條窗,框起室外景致做畫軸上墻。無論在室內任何角落,自然之光都生機涌動,它成為空間的基石與精神的寄望,將建筑、人與天地緊緊相連。

      The space for the original stairs was changed to two groups of private compartments, one above and one below. The upper layer features a glass roof covered with bamboo mats for shade. When sunny, flowing shadows adorn the space. When gloomy, a nuanced aura pervades.
      Five longitudinal windows were also installed around the building's façade to frame the outdoor scenery. In every corner, there is vibrant natural light, the cornerstone of space and hope, linking structure, people and nature.


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      Tea and people: enjoyed in a bright, clean space

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      茶室經歷長達千余年的演變,中國人的茶道面貌紛呈而多元,我們不斷進行自我的茶道構建,但無論向哪一方延伸,閑情與自在一直是中國茶的佳境。

      The concept of teahouses has been developing for more than a thousand years. Chinese tea ceremonies are therefore vastly diverse. We continue to create our own ceremony, but no matter which direction we have gone, leisure and freedom have remained the most pleasant stage of Chinese tea.

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      于是,在空間內部,風合睦晨著力呈現通透簡素、舒朗怡然。米白、灰與木材質確定了凈室的基調,鋼構立柱為筋骨,實木格柵使空間隔而不絕,共同為味覺搭建出一個空而充裕的環境。

      That is why YI+MU focuses on a neat, simple, cozy and pleasant interior space. Beige, gray and wood define the tone. Steel columns serve as the skeleton, and the solid wood fencing divides yet connects the space, jointly creating an "empty buzz" of an environment.

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      樓梯核心筒以實木格柵包覆,迎門和面向散座區的一面向內凹陷,條形中空連通內外,扶梯只做實木踏板而無立板,由黑色金屬勾勒,輕盈靈動。喝茶的人與上下的人,一靜一動,互為風景。與此同時,格柵內凹聚氣,亦是兩門之間的風水屏障。

      The core cylinder of the staircase is surrounded with solid wood grilles. The side facing the front door and the scattered seats is concave. A hollowed strip connects the inside and outside. The staircase comes with only solid wood pedals, without vertical plates, and is outlined by black metal, which is light and flexible. Those who are having tea and those going up and down form contrasting images. The concave grille gathers spirit and serves as a feng shui barrier between the two doors.

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      由此向內,不規則陣列的異形絲網燈由挑空的屋面垂下,細格柵由天花如瀑而下,作為條形茶臺的背景,筆觸簡明有力。

      Further inside the space, the irregular array of shaped wire mesh lamps hangs down from the empty roof, and the thin grille descends all the way from the ceiling like a waterfall, serving as the background of the bar-shaped tea table. The strokes are simple yet powerful.

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      二層過渡空間以展陳為主,向內設回廊卡座,樓板由原來的2.3米向挑空處推進至3米,以獲得落座區更為松弛的尺度。

      The transition space on the second floor is mainly for exhibition purposes, and there are booths along the inside corridor. The floor slab has also been extended from the original 2.3 meters to 3 meters toward the empty space to offer a more spacious seating area.

      湖邊·羅蘭湖茶空間第39張圖片

      行至露臺,設計師保留了原有的一方天窗,并在其上建玻璃茶亭,放置小幾蒲團。麗都花園內已亭亭如蓋,樹冠環抱露臺,茶亭之外,四季流轉清晰可辨。年輕茶客絡繹不絕探訪茶亭,熱鬧之外,屬于中國人精神向度里的人文性也一定在生長。

      At the terrace, the designer retained the original skylight and turned it into a glass tea pavilion with a tea table and some futons for sitting. The trees inside Lidu Garden are straight, with leafy canopies that surround the terrace. Outside the tea pavilion, the seasons are clearly discernible. Young visitors come in endless streams. While lively, it is also clear that the Chinese spirit's draw toward humanism is also allowed the forum to grow here.

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      從2014年羅蘭湖餐廳建成,到次年羅蘭湖會所,再到湖邊茶室,風合睦晨用十年時間完成了一組空間實踐。它們是這個城市公園積極發展的見證,共享這一歷程的艱辛和榮光,也將作為新起點,邁入城市的明天。

      From Blue Lake Restaurant in 2014 to Blue Lake House the following year and then to the lakeside teahouse, YI+MU has completed a group of spaces over the past ten years. They have borne witness to the positive development of this urban park, sharing the hardships and glory along this journey. They will also serve as a new starting point, ushering in the city's tomorrow.

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      在風合睦晨看來,如今我們不必從喝茶里喝出一番高深的哲學,而恰恰是對喝茶本身有了一種先驗的徹悟,這讓我們松弛下來,讓設計得以建立直白的意愿,進而完成深入人心、有說服力的建筑。

      In YI+MU's view, one does not have to derive some profound philosophy from having tea, but it is precisely a transcendental, thorough understanding of tea itself that allows one to relax so that design turns wish into popular, compelling architecture.


      項目平面

      湖邊·羅蘭湖茶空間第43張圖片
      1F及景觀

      湖邊·羅蘭湖茶空間第44張圖片
      2F

      湖邊·羅蘭湖茶空間第45張圖片
      3F


      項目名稱|湖邊·羅蘭湖茶空間
      項目地點|北京
      項目業主|羅蘭湖餐飲管理有限公司
      項目面積|室內340平米、戶外170平米
      完工時間|2023年3月
      室內設計|風合睦晨空間設計
      軟裝設計|風合睦晨空間設計
      主創設計|陳貽、張睦晨
      設計團隊|李武杰、楊志強、肖益、楊彥蓉、張旭、曾偉
      施工單位|北京輝騰建升裝飾工程有限公司
      主要材料|白橡木木飾面 白橡木木地板 實木格柵 竹木地板 米白色肌理漆 黑色啞光鋼板 灰色地磚 灰色巖板 灰色石子
      原建筑設計|Luca Nichetto
      項目攝影|風合睦晨空間設計
      文案策劃|NARJEELING那幾嶺
      項目策劃|楽品牌策略機構

      主要材料:白橡木木飾面、白橡木木地板、實木格柵、竹木地板、米白色肌理漆、黑色啞光鋼板、灰色地磚、灰色巖板、灰色石子


      來源:本文由風合睦晨空間設計提供稿件,所有著作權歸屬風合睦晨空間設計所有。

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