• <s id="mub3f"><tr id="mub3f"><input id="mub3f"></input></tr></s>

  • <dd id="mub3f"></dd>
    1. 網站地圖關于我們

      查看相冊 View Gallery
      虛擬現實與建筑藝術的碰撞第1張圖片

      隱形景觀裝置探索VR如何改變建筑
      Invisible Landscapes installations explore how virtual reality will change architecture

      由專筑網邵紅佳,王雪純編譯

      英國皇家美術學院(下文簡稱RA)最近發布了一系列的裝置作品,展示了視覺和VR技術如何改變人們對于建筑和空間的體驗。

      這四個裝置是由建筑師Gilles Retsin,3D掃描工作室 ScanLAB,設計師Keiichi Matsuda 和設計工作室 Soft Bodies分別完成的。

      他們一起完成了第三期也是最后一期的Invisible Landscapes項目,這個項目是由RA院長Gonzalo Herrero Delicado發起的,旨在探索電子科技如何改變世界。

      The Royal Academy of Arts has unveiled a series of installations that show how virtual and augmented reality technologies can change the experience of buildings and spaces.
      The four installations were created by architect Gilles Retsin, 3D-scanning studio ScanLAB, designer Keiichi Matsuda and design studio Soft Bodies.
      Together they form the third and final instalment of Invisible Landscapes, a project by RA curator Gonzalo Herrero Delicado exploring how digital technologies are changing the world.

      虛擬現實與建筑藝術的碰撞第2張圖片
      Gilles Retsin使用了膠合板模塊創造出幾何方塊/Gilles Retsin used plywood modules to create a geometric structure. Photo by NAARO

      院長告訴我們:“最后一期的Invisible Landscapes項目想要探索虛擬物體如何改變物理空間,反之亦然!

      四個作品內包括兩個新的思路,探索VR能夠如何模糊虛擬與現實的邊界,討論何為真實或虛假,探索現在及將來,我們對于周圍世界的認知和互動的方式。

      "The last act of Invisible Landscapes explores how the virtual might transform the physical space and vice versa," the curator explained.
      "Four works, including two new commissions, explore how virtual, augmented and mixed reality are blurring the boundaries between the physical and the virtual, and questioning what is real and what is fictional, questioning how we might interact with and look at the world around us, both now and in the near future."

      虛擬現實與建筑藝術的碰撞第3張圖片
      組裝人員使用Microsoft全息眼鏡來指導每個模塊就位/Assemblers used Microsoft HoloLens headsets to guide them as each interlocking module was put in place. Photo by NAARO

      Real Virtuality這個作品是由來自Bartlett建筑學院的導師GillesRetsin委托的,他以前的作品包括一個用3D打印機制造的機器人椅子,以及一個3D打印塑料房子的原型。

      這位來自倫敦的建筑師將膠合板與數字技術和VR建筑技術相結合,’在RA建筑畫廊內設計并安裝了一個互鎖的木制框架。

      每一個建筑模塊都是由9×12毫米的膠合板組成的,用數控銑床加工成一套零件并投入使用。

      Real Virtuality was a new commission from Bartlett School of Architecture tutor Gilles Retsin, whose previous works include a robot-built chair made using a 3D printer, and prototypes for a 3D-printed plastic house.
      The London-based architect combined plywood with digital technology and augmented reality construction techniques, to design and install an interlocking wooden frame inside the Royal Academy's architecture gallery.
      Each building block was made from nine- by 12-millimetre plywood sheets, turned into a kit of parts using a CNC milling machine.

      虛擬現實與建筑藝術的碰撞第4張圖片
      全息透鏡的VR技術使設計能夠實時改變/The augmented reality of the HoloLens allowed the design to change in real time. Photo by NAARO

      這些建筑單元是由穿戴微軟全息眼鏡裝置的人安裝的,且在安裝時可以隨時調整。

      當施工隊穿戴著微軟全息眼鏡看向這個空間時,全息眼鏡會在展覽空間內顯示電腦設計模型,提示哪一塊電子模型可以覆蓋。

      整個結構被固定在一起,使用橫向鋼筋和重復結點在膠合板之間固定。

      These modular forms were then assembled by people wearing Microsoft HoloLens headsets, which allowed for real-time adaptions as the installation was being built.
      The HoloLens overlaid a digital model of the design onto the gallery space as the construction team looked at the room, indicating where each plywood module could fit.
      The entire structure was held together in tension, with a few lateral steel rods in repeating points between the plywood elements.

      虛擬現實與建筑藝術的碰撞第5張圖片
      觀眾可以從小孔中欣賞所呈現的ScanLAB的約塞米蒂國家公園全息圖/A diorama allowed viewers to explore Post-Lenticular Landscapes, ScanLAB's hologram of Yosemite National Park

      3D掃描公司ScanLAB Projects設計了可以通過全息鏡頭觀看的完整模型作品,Post-Lenticular Landscapes的作品包括可通過全息鏡頭觀看的立體模型。

      該團隊將地面激光3D掃描設備帶到美國優勝美地國家公園,掃描并制作出全景圖,重現19世紀70年代開拓性攝影師Eadweard Muybridge的探險。

      The piece by 3D scanning company ScanLAB Projects, Post-Lenticular Landscapes, comprised a diorama viewable through a holographic lens.
      The team took terrestrial laser 3D scanning equipment to Yosemite National Park in the US to produce a hologram of the landscape, recreating the 1870s expeditions of pioneering photographer Eadweard Muybridge.

      虛擬現實與建筑藝術的碰撞第6張圖片
      Keiichi Matsuda的全景短片述說了一個想象中的未來:VR從根本上改變了人類的工作/Keiichi Matsuda's 360-degree short film Merger imagines a future where augmented reality changes human work fundamentally

      倫敦設計師Keiichi Matsuda展示了他的反烏托邦全景短片,它想象了一個當VR技術應用在一個對生產力有瘋狂渴求的世界時,,人們會處在如何一個如噩夢般的新工作場所中。

      London designer Keiichi Matsuda presented his dystopian 360-degree short film Merger, which imagines how augmented reality and an obsession with productivity could merge to create a nightmarish new workplace.

      虛擬現實與建筑藝術的碰撞第7張圖片
      Soft Bodies工作室設計的輕質磚給用戶一種虛擬現實與實物相結合的混合體驗/Weightless Bricks by Soft Bodies gave users a hybrid experience combining virtual reality with physical objects

      無重磚是Soft Bodies工作室的一項新作品;旌犀F實體驗允許參與者戴著VR裝置探索數字景觀,同時在混合世界中與特制的實體物體進行互動。

      博物館越來越多地利用AR和VR體驗為游客提供新的方式來參觀。

      在荷蘭,參觀毛里求斯博物館的游客可以使用他們的智能手機來模擬進入繪畫世界,而表演藝術家Marina Abramovi_在Serpentine Gallery為虛擬現實的表演藝術中創作了一個虛擬的形象。

      圖片:Andy Keate,標注的除外

      Weightless Bricks is a new commission from design studio Soft Bodies. The mixed-reality experience allows participants wearing a virtual-reality headset to explore a digital landscape whilst interacting with specially made physical objects in a hybrid world.
      AR and VR experiences are increasingly being used by museums to give visitors new way to encounter their exhibits.
      In the Netherlands, visitors to the Mauritshuis museum can use their smartphones to simulate stepping inside the world of the painting, while performance artist Marina Abramović created a virtual avatar for a mixed-reality performance art piece at the Serpentine Gallery in London.
      Photography is by Andy Keate unless otherwise stated.

      【專筑網版權與免責聲明】:本網站注明“來源:專筑網”的所有內容版權屬專筑網所有,如需轉載,請注明出處

      專于設計,筑就未來

      無論您身在何方;無論您作品規模大;無論您是否已在設計等相關領域小有名氣;無論您是否已成功求學、步入職業設計師隊伍;只要你有想法、有創意、有能力,專筑網都愿為您提供一個展示自己的舞臺

      投稿郵箱:submit@iarch.cn         如何向專筑投稿?

      掃描二維碼即可訂閱『專筑

      微信號:iarch-cn

      登錄專筑網  |  社交賬號登錄:

       匿名

      沒有了...
      評論加載中,請稍后!

      藝術 (556 articles)


      建筑藝術 (12 articles)


      裝置 (256 articles)


      英國 (671 articles)


      倫敦 (410 articles)


      Gilles Retsin (2 articles)


      VR (7 articles)



      国产911在线观看|日韩gv国产gv欧美旡码|久久久综合香蕉尹人综合网|久久99亚洲网|CHINESEHD国产精品麻豆
    2. <s id="mub3f"><tr id="mub3f"><input id="mub3f"></input></tr></s>

    3. <dd id="mub3f"></dd>